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	<title>Michael Green</title>
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	<link>https://michaelbgreen.com.au</link>
	<description>Journalist, producer and oral historian</description>
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		<title>Manus Recording Project Collective</title>
		<link>https://michaelbgreen.com.au/manus-recording-project-collective/</link>
					<comments>https://michaelbgreen.com.au/manus-recording-project-collective/#respond</comments>
		
		<dc:creator><![CDATA[mbg]]></dc:creator>
		<pubDate>Sun, 10 Nov 2019 12:08:51 +0000</pubDate>
				<category><![CDATA[Projects]]></category>
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					<description><![CDATA[where are you today, 2020 [sound installation]. Every day throughout August, subscribers received a text message with a new ten-minute audio recording from Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamindan Kanapathi, Thanush Selvraj or Yasin Abdallah. These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years [&#8230;]]]></description>
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<p><em><a href="https://manusrecordingproject.com">where are you today</a></em>, 2020 [sound installation]. Every day throughout August, subscribers received a text message with a new ten-minute audio recording from Farhad Bandesh, Farhad Rahmati, Samad Abdul, Shamindan Kanapathi, Thanush Selvraj or Yasin Abdallah.</p>



<p>These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane.</p>



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<p>The site displayed some additional information: the number of kilometres between you and the person who made the recording, and the number of minutes, hours, or days that had elapsed since the recording was made. <a href="http://www.manusrecordingproject.com">Listen to the recordings</a>. </p>



<p>Design, build and conceptual support by <a href="https://public-office.info/">Public Office</a>. Commissioned and presented by <a href="https://liquidarchitecture.org.au/">Liquid Architecture</a>. Supported by the City of Melbourne COVID-19 Arts Grants.</p>



<figure class="wp-block-image size-large"><img decoding="async" width="768" height="1024" src="https://michaelbgreen.com.au/wp-content/uploads/2019/11/WhatsApp-Image-2020-07-17-at-1.40.55-PM-2-768x1024.jpeg" alt="" class="wp-image-5216" srcset="https://michaelbgreen.com.au/wp-content/uploads/2019/11/WhatsApp-Image-2020-07-17-at-1.40.55-PM-2-768x1023.jpeg 768w, https://michaelbgreen.com.au/wp-content/uploads/2019/11/WhatsApp-Image-2020-07-17-at-1.40.55-PM-2-225x300.jpeg 225w, https://michaelbgreen.com.au/wp-content/uploads/2019/11/WhatsApp-Image-2020-07-17-at-1.40.55-PM-2-1153x1536.jpeg 1153w, https://michaelbgreen.com.au/wp-content/uploads/2019/11/WhatsApp-Image-2020-07-17-at-1.40.55-PM-2.jpeg 1200w" sizes="(max-width: 768px) 100vw, 768px" /><figcaption>Mantra Hotel, Preston. Photo by Yasin Abdallah.</figcaption></figure>



<p></p>



<p><em><a href="http://manusrecordingproject.com">how are you today</a></em>, 2018. A sound installation comprising an archive of 84 ten-minute field recordings by six men on Manus Island. Developed for the <a href="https://eavesdropping.exposed/">Eavesdropping</a> exhibition at the Ian Potter Museum of Art, Melbourne, with Samad Abdul, Farhad Bandesh, Behrouz Boochani, André Dao, Shamindan Kanapathi, Kazem Kazemi and Jon Tjhia. <em>how are you today</em> was subsequently exhibited at City Gallery, Wellington, and Gus Fisher Gallery, Auckland. <a href="https://manusrecordingproject.com/how-are-you-today">Listen to the recordings</a>.</p>



<figure class="wp-block-image"><img decoding="async" width="1024" height="684" src="https://michaelbgreen.com.au/wp-content/uploads/2020/05/Eavesdropping-Install-Extras-Keelan-OHehir-2-1024x684.jpg" alt="" class="wp-image-4895" srcset="https://michaelbgreen.com.au/wp-content/uploads/2020/05/Eavesdropping-Install-Extras-Keelan-OHehir-2-1024x684.jpg 1024w, https://michaelbgreen.com.au/wp-content/uploads/2020/05/Eavesdropping-Install-Extras-Keelan-OHehir-2-300x200.jpg 300w, https://michaelbgreen.com.au/wp-content/uploads/2020/05/Eavesdropping-Install-Extras-Keelan-OHehir-2-768x513.jpg 768w, https://michaelbgreen.com.au/wp-content/uploads/2020/05/Eavesdropping-Install-Extras-Keelan-OHehir-2.jpg 1200w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption>how are you today, 2018, at the Ian Potter Museum of Art.</figcaption></figure>
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		<post-id xmlns="com-wordpress:feed-additions:1">4924</post-id>	</item>
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		<title>Still Life</title>
		<link>https://michaelbgreen.com.au/still-life/</link>
		
		<dc:creator><![CDATA[mbg]]></dc:creator>
		<pubDate>Sat, 19 Oct 2019 12:10:10 +0000</pubDate>
				<category><![CDATA[Projects]]></category>
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					<description><![CDATA[A series of first-person narratives about statelessness, together with still life images. A collaboration with writers André Dao and Nicole Curby and artist Sarah Walker. This project is also an academic collaboration with Associate Professor Jennifer Balint and Dr Ashley Barnwell, from the University of Melbourne, as well as the Peter McMullin Centre on Statelessness [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>A series of first-person narratives about statelessness, together with still life images. A collaboration with writers André Dao and Nicole Curby and artist Sarah Walker. This project is also an academic collaboration with Associate Professor Jennifer Balint and Dr Ashley Barnwell, from the University of Melbourne, as well as the Peter McMullin Centre on Statelessness at the Melbourne Law School. </p>



<p>Forthcoming, 2021. </p>
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		<post-id xmlns="com-wordpress:feed-additions:1">4926</post-id>	</item>
		<item>
		<title>Behind the Wire</title>
		<link>https://michaelbgreen.com.au/behind-the-wire/</link>
		
		<dc:creator><![CDATA[mbg]]></dc:creator>
		<pubDate>Sun, 08 Jan 2017 12:13:41 +0000</pubDate>
				<category><![CDATA[Projects]]></category>
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					<description><![CDATA[Behind the Wire is an award-winning oral history project documenting the stories of the men, women and children who have been detained by the Australian government after seeking asylum in Australia. The project comprises a book, an exhibition, a podcast, audio stories, films, a series of portrait photographs, and a large-scale video installation at the [&#8230;]]]></description>
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<p><a href="http://behindthewire.org.au">Behind the Wire</a> is an award-winning oral history project documenting the stories of the men, women and children who have been detained by the Australian government after seeking asylum in Australia. </p>



<p>The project comprises a book, an exhibition, a podcast, audio stories, films, a series of portrait photographs, and a large-scale video installation at the NGV International, as part of White Night 2018. </p>



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<p>The project won the 2017 Australian Human Rights Commission Media Award and the 2016 Oral History Victoria Community Innovation Award.&nbsp;<em>The Messenger</em>&nbsp;podcast won the Grand Award at the 2017 New York Festivals International Radio Awards, the 2017&nbsp;Walkley Award for Radio/Audio Feature, and Best Radio – Documentary at the UNAA Media Awards. Our exhibition at the Immigration Museum,&nbsp;<em>They Cannot Take the Sky: Stories from Detention</em>, was chosen for the Contribution to Multiculturalism by a Community Organisation award at the 2017 Melbourne Awards. It also won a 2018 Museums and Galleries National Award for best Temporary or Travelling Exhibition.</p>
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