I made this show because I happened to visit my friend and co-host Dr Joëlle Gergis – a climate scientist – the day after my in-laws’ house burned down in Australia’s terrifying Black Summer bushfires. She was in the thick of her work on the IPCC’s latest monumental report. I realised that I had no idea how we know what we know about climate change. And I wanted to find out.

In this seven-part series, I speak to scientists from 14 different countries about their science, how they do what they do, and what it feels like to carry that knowledge. We trace the work behind these extraordinary reports as the years pass and climate disasters befall almost everyone involved.

Subscribe here

In May 2016, Jack Zhao posted to a private Facebook page to advertise for meatworkers at Midfield Meat International, an abattoir in Warrnambool on Victoria’s southwest coast. “Today,” he wrote in Mandarin, “is an important day. I am happy to announce that we are about to expand our business. Ten years ago, the first group of Chinese 457 visa holders arrived at Midfield and boosted our revenue up to ten times! We became one of the top 50 private corporations in the country. Today, another 50 Chinese 457 visa holders arrived at Midfield.”

Though Jack Zhao wrote of “we” and “our”, he was not actually employed by Midfield. Instead, he was a labour hire contractor, tasked with recruiting workers from China, Hong Kong and Taiwan for Australian abattoirs. But without any Mandarin-speaking supervisors, the company effectively relied on Zhao and other labour hirers to manage its foreign workforce. Zhao’s Facebook post outlined what the latest round of recruits could expect: “Good 457 workers will get your PR status, you will have five things in your hand: wife, kids, house, money, car! As long as you are a hard worker, here is your great opportunity.”

Naturally, such an opportunity doesn’t come cheap. Some of these new migrant-worker recruits had paid a Chinese broker up to $70,000 to have a shot at “PR”, shorthand for a visa with permanent residency: the 186 visa allows the holder to live in Australia indefinitely, with work and study rights, access to Medicare, the ability to sponsor relatives, and a pathway to Australian citizenship. This, then, was the bargain: find the money or borrow it against your future wages and work for a single abattoir for at least three years on a temporary 457 visa, with limited rights, and, in return, you would get the promise of a ticket to the lucky country.

Facilitating these opportunities is a big business. Zhao’s boss was Zu Neng “Scott” Shi, the director of a network of dozens of labour hire companies providing foreign workers to at least 42 abattoirs around Australia. Between 2008 and 2017 his syndicate generated $349 million in revenue from meatworker recruitment. There was also money to be made exporting the meat. Shi appeared on the Chinese government–owned China Central Television as the “beef boss”, touting his access to high-quality Australian meat for import. The business is opaque: in 2018, the Australian Tax Office accused Shi and his companies of phoenixing – the practice of liquidating a company once it gets into trouble, only to incorporate it again under a new name – and of owing $163 million in unpaid taxes. An industry insider explains the trade like this: “It’s all to do with blood, muscle and bone. It just happens that some is alive and some is dead.”

Read more at The Monthly.

For ABC Radio National’s documentary show Earshot, I produced a 35-minute story about one couple’s terrifying experience of bushfire. It’s a thriller, and a love story, and you can listen here, or via Earshot on your favourite podcast app.

When the Black Summer firestorm hits her street , Cath runs for her life—leaving her partner Jack, who’s hellbent on staying to defend their home. They lose each other. Later, among the shock and the chaos, it hits her: Oh my god, where is Jack? What’s happened to him?

As the catastrophe unfolds, Cath Bowdler, Jack Egan, and Channel Ten news journalist Daniel Sutton describe what happens to them on New Years Eve 2019, on the South Coast of NSW.

Listen: Cath and Jack and the firestorm in Dale Place

Producer: Michael Green

Composer and sound engineer: Matthew Crawford

Supervising producer: Claudia Taranto

Mozhgan Moarefizadeh is stuck in Jakarta, living without rights—but with a yappy dog named Bella. With journalist Nicole Curby, she brings you into the lives of refugees like her, who are trapped on Australia’s new borderline, in Indonesia.

The Wait is a five-part narrative podcast, two years in the making. Published by The Guardian and supported by the Walkley Foundation, The Wait is a compelling and innovative combination of in-depth interviews, field reporting, audio diaries and conversations. I’m co-writer and supervising producer for the show.

Check out the website for photos and more information. Subscribe now, on iTunes, Spotify or wherever you get your podcasts. Or just listen below…

For The Saturday Paper and the Walkley Foundation, André Dao and I met four people living in Australia, working along the food chain.  This multimedia story was illustrated by Tia Kass. It won the Melbourne Press Club’s 2020 Quill Award for reporting on multicultural affairs.

Senator WALSH: Can the minister explain why… temporary migrant workers who can’t go home… have been excluded from the JobKeeper program?

Senator CASH: I thank the senator for her question… In relation to the senator’s question: because the government had to draw a line somewhere. 

– Senate Hansard, April 8, 2020

Over the last two decades, low paying work has increasingly been done by workers with no right to stay in Australia. It is especially the case in the food system. Temporary migrant workers plant, pick, pack, slaughter, slice, cook and deliver food for everyone else. 

Twin senate inquiries, into temporary migration and underpayment, are due to report at the end of the year. They have received more than 170 submissions so far, but few contain testimony from migrant workers. 

In this story, you can read about Jennifer Banga, Tiff Tan, Baali and Putri Nazeri—and listen to their voices and watch their videos.

These men, seeking asylum by boat, were forcibly transferred to Manus Island by the Australian government nearly seven years ago. Now, they are held in hotels or detention centres in Port Moresby, Melbourne or Brisbane.

The site displayed some additional information: the number of kilometres between you and the person who made the recording, and the number of minutes, hours, or days that had elapsed since the recording was made. Listen to the recordings.

Design, build and conceptual support by Public Office. Commissioned and presented by Liquid Architecture. Supported by the City of Melbourne COVID-19 Arts Grants.

how are you today, 2018. A sound installation comprising an archive of 84 ten-minute field recordings by six men on Manus Island. Developed for the Eavesdropping exhibition at the Ian Potter Museum of Art, Melbourne, with Samad Abdul, Farhad Bandesh, Behrouz Boochani, André Dao, Shamindan Kanapathi, Kazem Kazemi and Jon Tjhia. how are you today was subsequently exhibited at City Gallery, Wellington, and Gus Fisher Gallery, Auckland. Listen to the recordings.

Forthcoming, 2021.

Hosted by Academy Award-winning documentary film-maker Asif Kapadia (Amy, Senna, Diego Maradona), this is the fourth episode in a five-part series from BBC World Service in collaboration with Robert Redford’s Sundance Institute. Detours takes us off the main roads of our lives, following people who didn’t end up where they expected.

Producer: Elyse Blennerhassett and Michael Green

Listen now via BBC, 27 minutes.

His reason for going is to accept the Martin Ennals Award for Human Rights Defenders. It is a big night. His acceptance speech, Mandela like. But, the morning after is a different more complicated story.

Aziz is speaking to all the right people, making his case for himself and his friends back on Manus. They are listening. He is not sure, however, if they can do anything. He is also not sure what he should do. Should he stay or should he go?

A documentary for ABC Radio National, Earshot. Part two of a two-part series, along with Flight from Manus. Listen now, via ABC, 28 minutes.

Supervising Producer Lyn Gallacher, sound engineer Melissa May. Music composed by Hour House (Mark Leacy and Sam Kenna)

A documentary for ABC Radio National, Earshot. Part one of a two-part series, along with A Stranger in Geneva. Listen now, via ABC, 28 minutes.

I’m waiting in person at the airport in Geneva, Switzerland, hoping to catch a glimpse of Aziz as he comes into the arrivals hall.

Supervising Producer Lyn Gallacher, sound engineer Melissa May. Music composed by Hour House (Mark Leacy and Sam Kenna)