Michael Green

Writer and producer

  • About
  • Print
  • Audio
  • Podcast
  • Projects
  • Book
  • Twitter

We need to talk, Mr Mayor

In Social justice, The Age on October 23, 2011

AS I stood in the city square on Friday morning, I locked arms with a quiet IT student and a man who has a doctorate in law.

None of us had done anything like this before. Contrary to Mayor Robert Doyle’s assertions, we were neither professional protestors, nor the usual suspects.

By chance, we had landed in an obscure corner of the human chain, inside a marquee, facing the back of the square, well away from onlookers.

Even the other protesters seemed to have forgotten our corner – for an hour or so, the IT student had no one else to link arms with. As the chant rang out for us to “hold the line”, I asked him how he felt. “Vulnerable,” he replied, with a light smile. The police who surrounded us shared our mirth.

And so, for the first few hours, the big showdown felt more like farce. I had a lot of time to consider my position. Why, exactly, was I there? Should I stay?

Earlier this year, I wrote a long article about homelessness for The Big Issue. Often, while I worked on the piece, I felt deeply shaken.

One day I met a woman who, through illness and ill fortune, faced eviction from her modest unit. She was a good woman, but could no longer pay her rent – the shortfall grew bigger week by week. She sat with me in her darkened lounge and sobbed.

Earlier that same morning, I’d read in the newspaper that Gina Rinehart’s wealth had doubled in twelve months, to $10.3 billion. Hers is wealth born of inheritance, extracted from our finite resources, and funnelled into scare campaigns against taxes.

And so, before the Occupy movement began in Melbourne, I followed its progress in New York. I was excited that Occupy Wall Street had made equality once more a matter of daily public debate.

I visited the city square on several of Occupy Melbourne’s six days, but I didn’t camp. I felt frustrated by the slogans and rhetoric, and by the unwieldy facilitation process for the public forums.

My optimism dissipated, but even so, there was something about the movement that challenged me. Everyone was welcome to participate. If I thought the process wasn’t working, or that the comments were more emotionally charged than deeply considered, then it was up to me to do better. If I didn’t stand up, it wasn’t fair to criticise.

On Friday morning, the police pressed more tightly around us as the hours wore on. When they tore the marquee from over our heads, the atmosphere of farce gave way to an air of panic.

I asked the computer student on my left why he was there. He told me he was a duel citizen of Australia and America and he’d been inspired by Occupy Wall Street. “For me,” he said, “this is about the separation of corporations and the state.” Over the previous days, he’d spoken with other protestors about the importance of curtailing corporate donations and influence on politics.

On my right was Dr Samuel Alexander, an academic who writes about simple living and limits to economic growth. He had just penned a 4000-word article, inspired by the protest, in which he outlined proposals for tighter media ownership laws, more progressive taxes and heavy investment in renewable energy infrastructure, among other things.

I’d also heard about another possible demand – for a Robin Hood tax on international currency transactions. For a movement comprising citizens in more than 1500 cities around the world, that proposal strikes me as elegant.

Nonetheless, as I stood in the line, I did not have a clear list of reforms in mind. But I had read about our current ways: about cascading financial crises in the US and Europe, about climate change, and about other environmental tipping points.

At Occupy Melbourne, hundreds of people cast off their apathy and sought to engage with one another on these matters, peacefully and publicly.

As I stood in the line, I was certain that these matters deserve debate, whenever and wherever possible. That is why I stayed in the square on Friday morning, and locked arms with other thinking people, as the riot squad bore down upon us.

Read this article at The Age online

Outdoor space in the city

In Architecture and building, The Age on September 12, 2011

The population is growing and gardens are shrinking, so where will the children play?

STICKYBEAK over the back fence of a typical new home – in an inner or outer suburb – and you’ll likely see this: a patio, paved and covered, with an in-built barbeque and outdoor heating. You’ll spot neat, ornamental shrubs and tidy stone gardens in narrow beds by the fence. And, if you peer down the side, you’ll spy a retractable washing line.

As our cities expand, a vast change is occurring; not only in the landscape, but also in the way we engage with outdoor space, both private and public.

Andrew Whitson, the Victorian general manager of Stockland, says that as a developer, he’s observed a clear trend towards smaller gardens in new homes.

“People still want some outdoor space and they want it to be functional and useful. But we’re all becoming time poor and we don’t want a large area to maintain. The days of dad spending the weekend out in the garden are changing,” he says.

“From what people are buying, we’re seeing that people love al fresco entertainment areas and I don’t see that changing.”

Mr Whitson says that although yards are much smaller, they’re more carefully designed. “We’re seeing fewer large trees planted and more manicured, low-maintenance areas, with paving, weather protection and heating, so they can be used year round.”

While he’s sanguine about the change, Griffith University academic Professor Tony Hall is worried about its implications. In a book published last year, called The Life and Death of the Australian Backyard, Prof Hall lamented the downsides for the community at large, including the loss of biodiversity and natural drainage, hotter cityscapes and the health impact of more indoor, passive pastimes, especially for children.

Using aerial photographs of developments around the country, he analysed the difference in backyards between older and newer subdivisions. He found that before the 1990s, suburban homes typically took up less than one-third of their lot. Newer houses, however, were much larger – covering up to two-thirds of the land.

In Victoria, the planning framework contains standards for private outdoor space in all kinds of dwellings. For detached homes and ground floor apartments, the minimum area is 40 square metres, depending on the block size. According to Prof Hall, until the last two decades, our suburban backyards were between four and ten times larger than that.

Like Mr Whitson, Prof Hall attributes “the disappearance of the backyard” to wider social changes. “Substantial sections of the population now work extended hours and have long commute times,” he writes. “Functionally, the house is seen as a place to wash and sleep… more as a financial investment than as a place to be enjoyed.”

To halt the shift to smaller backyards, he argues that planning codes should specify rear setbacks and maximum plot coverage of just over one-third.

Craig Czarny, from planning and design consultancy Hansen Partnership, agrees that the shifting balance between indoor and outdoor space has major repercussions for the way we live.

“It could mean that families spend more time inside, with children playing on their PlayStations and not spending as much time amongst nature. That has various implications for health and wellbeing,” he says.

“But you could also argue that the less space there is for private gardens, the more people will gravitate towards public spaces. I live in the inner city and I don’t have a large garden, so my children and I spend our time at the park.”

He draws on the Dutch concept of woonerf – a kind of street where pedestrians and cyclists have priority over cars. “It’s the idea that our streets are communal spaces. Yes, we share them with cars, but they are also parklands, pathways and play spaces,” he says. “As a denser city, we need to be more aware of living our lives more communally.”

Mr Czarny says the notion of the quarter acre block, so often described as intrinsic to Australian identity, actually only goes back two generations. Enabled by cheap oil and the rise of the motorcar, it too will change.

“Whilst many people will lament the loss of the private garden, the implication is that we should begin to use public space more effectively,” he says.

Recently, the Victorian Environmental Assessment Council completed the first ever survey of Melbourne’s publicly owned land. Its report revealed that the city’s public open space varies widely between municipalities: Glen Eira and Stonnington have the smallest proportion, while Nillumbik and Cardinia boast the most.

The report found that while our parks, squares and fields make a vital contribution to the city’s liveability, the amount of open space per capita will decrease over time as population grows. This will happen everywhere, but most significantly in established suburbs.

Mr Czarny says we can face the problem in two ways: by improving the quality of the outdoor areas we have, and also, by transforming utilitarian spaces, such as rooftops, decks and walkways.

“For example, we’re seeing gardens and tennis courts established on the roofs of commercial buildings, in areas formerly inhabited by air conditioning plants,” he says.

Children playing on the roof

IN the rooftop garden at The Harbour Family and Children’s Centre, at Docklands, a toddler in a yellow t-shirt is waist deep in a clump of greenery, tugging at the fronds.

The centre’s manager, Michelle Gujer, from Gowrie Victoria, approaches the boy. “Are you looking for Hoppy?” she asks. He nods, clearly chuffed to be in the thick of the garden, if somewhat perplexed as to the rabbit’s whereabouts.

“Young children learn through sensory play,” Ms Gujer explains. “So he’s really showing you exactly what this place is all about.

“The natural environment draws out their curiosity. It’s extremely important for children to be able to explore without the restriction of a confined space, especially for families who live in the inner city.”

At ground level, this part of Docklands is a dusty construction site, populated by cranes and beeping trucks. But on the roof, the air is rumbling with children’s chatter instead. Little people are marching to and fro, making mud pies, investigating the rocks along the dry creek bed and sitting beneath improbably large trees.

Matthew Mackay, from Hassell, was the project leader for roof garden, which was designed in collaboration with Children’s Landscapes Australia.

He says that although it can be complex to establish parks on roofs, he expects them to become more prominent as the city densifies.

“We need to have these kind of facilities close by, so we don’t lose touch with nature,” he says. “An important part of this project is to help children to understand natural processes and systems. We wanted to allow for as many play experiences as possible, with all kinds of materials and vegetation.”

Read this article at The Age online

Choir hits a high note in Europe

In Culture, The Age on July 13, 2011

CALEB Foster-McLachlan could barely contain his excitement yesterday, the eve of his departure for the ancient cathedrals of Europe where he will perform with the Australian Children’s Choir.

”I’m so excited I can’t get to sleep at night any more. I just want to go,” the 17-year-old said.

Foster-McLachlan, who has high-functioning autism, said he tends to worry too much: ”I get stressed about expectations and results a lot of the time. Sometimes I think I’m going from one stressful thing to another.”

That made his first night in the choir after his successful audition particularly nerve-racking. ”It was very scary at first,” he says. ”I was so nervous my voice wobbled and the conductor commented that I sounded like a pregnant turkey being strangled.

”But I learnt quickly and the last comment I had from him was a few months ago – he said I had too much of a cheeky grin, which was off-putting from a distance!”

The choir’s tour of Europe has been two years in the planning. For just over three weeks, 50 children – aged from 10 to 18 – will sing in several cities across Germany, Austria and England.

The schedule culminates with a performance at Canterbury Cathedral, where the group will take part in the International Children’s Choir Festival, singing with young choristers from six countries.

Choir director and conductor Andrew Wailes says he has been able to organise for the ensemble to perform in some remarkable venues – places far removed, and not just geographically, from the children’s normal base in Mitcham.

”It’s mind-blowing just to walk into some of the glorious Gothic cathedrals in Europe and know they are between 500 and 1000 years old,” he says. ”And when you go in there to sing, it’s the most inspirational setting. These spaces were designed all those years ago to make the human voice sound its best.”

Wailes says the tour party is excited and nervous – and that goes for the accompanying adults, too. Last week, he held the final briefing for parents.

”Suddenly one of the kids looked up to me with these forlorn eyes and said, ‘We’ve only got one rehearsal left!’ And I said, ‘Yes, you betcha. I’m acutely aware of that, young man’.”

The choir’s repertoire for the trip comprises 43 songs, including a Latin Mass and a few pieces in German, all learnt since the beginning of the year at twice-weekly rehearsals.

”It’s a huge amount of music for the kids to have prepared in six months, but they’ve got there. We’re ready and raring to go,” Wailes says.

”They’re going to come back different people, with a whole lot of experiences and wonderful memories to inspire them.”

Foster-McLachlan has felt restless for the past two weeks, but this time it’s out of anticipation, not anxiety. He has been daydreaming about walking in German forests, descending upon mediaeval castles and singing in thousand-year-old chapels with gilded walls.

”I could have spent my sleeplessness productively, packing my bag,” he admits, ”but instead I sit there imagining being inside the Canterbury Cathedral or how I’m going to talk with the American choirs we’ll meet.”

The year 11 student’s mother, Brenda McLachlan, says being in the choir has helped him understand the subtleties of communication and socialising in a group – scenarios that can be challenging for autistic people.

”Singing in the choir is calming and therapeutic because at times he can get quite wound up,” she says.

Wailes said the benefits of singing are clear for the young and the old.

”It’s the basic human form of relaxing that doesn’t require gym fees or expensive equipment,” he said. ”When you’re singing, that’s all you think about, you don’t worry about anything else. It’s good for the soul.”

Read this article at The Age online

Star ratings lost in space

In Architecture and building, The Age on May 16, 2011

Governments have failed to ensure house energy ratings become reality

MOST new homes don’t measure up to their energy rating, building industry experts warn. Since the start of May, all new houses and renovations in Victoria must reach six stars, but because of shoddy insulation and inadequate draught sealing, householders’ bills may continue to rise.

Despite steadily lifting the stringency of energy ratings, the industry’s regulators have not enforced those standards in the way homes are built. There is no inspection or auditing process to ensure houses comply with efficiency specifications.

House energy consultant Blair Freeman, from Energy Leaks, says eight out of every ten residences he audits have poorly installed or missing insulation – especially in walls, around window frames and towards the perimeter of ceilings.

“People are paying for a five or six star home and not getting it,” he says. “The rating software is a great start – it gives you an assessment of the drawings – but no one assesses the home.”

Freeman photographs the insides of houses with a thermal camera. If it’s warm outside, the images show hot spots where insulation is gappy. Too often, he says, the new houses in his photos glow like hot coals. “It’s a big problem and it’s all to do with poor installation of insulation.”

Similarly, draught testing company Air Barrier Technologies has found air leakage in new homes to be five to 10 times worse than expected under the star-rating models.

Wayne Liddy, a building surveyor and former president of the Australian Institute of Building Surveyors Victoria, says he’s concerned new houses don’t meet the efficiency expectations of homeowners.

Building surveyors assess compliance with the star rating paperwork, but do not check those features in fabric of the building itself. They are not required to monitor the quality of the installation of insulation or draught sealing.

“There’s a big gap in compliance,” Mr Liddy says. “We could have a very embarrassing situation when mandatory disclosure [of energy ratings at the point of sale or lease] comes in. Most houses that have a building permit with a report giving them five stars may be lucky to get to two stars.”

But Victorian Building Commissioner Tony Arnel says people must understand that the rating scheme is a design tool, not an on-the-ground assessment. “The quality of building varies, like everything in life,” he says.

“Where houses are built that have more air gaps and leakage issues, then potentially they will be below the five-star standard. But that’s not to say those houses don’t comply with the regulations.”

The Building Commission conducts “desk-top audits” of compliance with the rating standards, Mr Arnel says. “Quality assurance is a contractual responsibility between the owner and the builder. That’s what you pay for.”

Kristin Brookfield, building and environment director of the Housing Industry Association, says she has not seen any evidence of a systemic problem. “We will always support the view that our members understand their obligations and are delivering homes to the expectations of the law and the customer.”

Even so, Ms Brookfield says she would not be surprised if some states introduced an extra building inspection targeting energy efficiency measures. “But it needs to be done in a way doesn’t slow everything down and cost thousands of dollars,” she says.

Misgivings about the scheme’s governance extend to the oversight of ratings assessors. Until March this year, Sustainability Victoria was responsible for supervising the performance of accredited house energy raters. However, according to a spokesperson for the agency, due to “resource constraints”, it did not audit any ratings after June 2004 – a gap of nearly seven years.

The role has now been outsourced to the Building Designers Association of Victoria and the Association of Building Sustainability Assessors.

Architect and environmental design consultant Chris Barnett, from Third Skin Sustainability, says this kind of ineffective regulation is undermining the rating scheme’s credibility.

To improve compliance in the industry, Mr Barnett says regulators should urgently consider a range of changes, including random ‘as-built’ audits and additional checks by surveyors or sustainability assessors, along with training and education campaigns for builders.

Why we can’t see the insulation for the walls

Before the five-star regulations began in 2005, Tony Isaacs recalls, the building industry campaigned vigorously against the rules.

“There was a lot of fear among builders because it was a big change,” he says. “But because of the size of the change there was also a view [in government] that, strictly speaking, there should be an additional inspection – particularly for insulation.”

The extra check was not introduced. At the time, Mr Isaacs was the project manager responsible for the new regulations at the (then) Sustainable Energy Authority Victoria. He also developed FirstRate, the software tool commonly used in Victoria to analyse the efficiency of housing designs.

Now senior research fellow at RMIT’s Centre for Design, Mr Isaacs says both the house energy raters and the actual buildings must be assessed more rigorously.

“There needs to be some checking done of the people who do the ratings in the first place, to make sure they’re accurate,” Mr Isaacs says.

“Someone has to come up with the dollars to check the ratings and to check the buildings. The measures we’ve used so far have clearly got holes through which people can get away with building to a lesser standard, and unless we check them more rigorously we just don’t know how well they’re performing.”

Building the ratings into a home

Chris Jensen, from Greensphere Consulting, has conducted over 10,000 house energy ratings. He also lectures in building energy modelling at the University of Melbourne’s architecture faculty.

But when he came to renovate his own home in Port Melbourne, he was shocked at the disconnection between the software modelling and the finished product.

“We’re at lock up stage, and I could have put cheese in the walls. There’s no point at which the energy efficiency measures in the building really get checked. As the builder, I’m just expected to have met that standard, because that’s what the building permit states,” he says.

He says that while he strongly supports the energy rating system, he is concerned about the way it translates into built houses.

“Insulation, gaps and cracks are the main issues, because you can’t see them. The other big worry is that the report doesn’t make it easy for builders to understand what’s required,” he says.

“My house could be built at two-star, if it wasn’t done properly, and I wouldn’t know. It really is that bad.”

Read this article at The Age online

Maintaining the backyard

In Architecture and building, The Age on April 11, 2011

A renovation that re-discovers outer space

ARCHITECT Andrew Maynard is standing in the grassy garden of a newly renovated house in Ilma Grove, Northcote, explaining why his design blurs inside and outside space.

“If you invest in a big block, then you’re investing in outdoor land. Don’t feel like you need to fill it all up with building,” he says. “But you have to make your house connect with the backyard, otherwise you won’t use it.”

As if to prove the point, his littlest client, three-year-old Harvey, barrels through the very wide backdoor and demands a game of cricket.

“Australians talk about growing up in the suburbs with all the space,” Maynard continues, while bowling to Harvey. “But we’re building these big homes and renovations, which are empty most of the time. Going small is really important environmentally – and also, in terms of design, it’s so much fun.”

When the young cricketer’s parents, Anna MacWilliams and Cameron MacDonald, decided to renovate their heritage California bungalow, they had three main objectives: to create an open plan living area, to use passive-solar design principles and to retain their garden.

“We didn’t want to build a mansion. We love having a backyard,” MacWilliams says, as she steps out from the kitchen to visit the compost bin.

The rear of the house faces north, but the couple rarely used the old dining room, because it was dark and pokey. The sun was blocked out by a lean-to laundry and toilet.

“It was all brick wall, with a tiny little window,” she says. “We used it as a storage room and had visitors in the front room. The backyard was segregated. You had to make an effort to get outside.”

Today, MacWilliams is cooking a vegetarian shepherd’s pie in the open, blue and red kitchen. “We get beautiful light coming in here now. In winter, the low sun definitely penetrates into the living space,” she says.

The northern wall of the Ilma Grove house’s new living area is comprised of large double-glazed doors. Among other eco-friendly attributes, the extension is clad in recycled bricks and all the timber was salvaged or harvested sustainably. All paints and finishes are either low- or no-VOC, and a rainwater tank is plumbed into the toilets. Up the space-saving spiral staircase is a spare bedroom and a roof-terrace boasting a solar array and views to both the Dandenongs and the CBD.

“I love opening up the doors,” MacWilliams says. “We’re always going in and out, to the vegie garden or the herb garden. Harvey can be in the backyard and I can still do what I have to do.”

Maynard used a number of design elements to make sure the yard was not only preserved, but also, used regularly. The first step was to demolish the rear laundry and toilet. The new laundry lives in a cupboard.

“Over time, people tend to add wet areas to the back of homes, and they dislocate living spaces from the outdoors. We knock them down and build them in the middle of the house, close to the bedrooms,” he says.

The broad double-glazed doors mean that the garden is always in view. “Visual connection is fundamental,” he explains. “And then you try to pull away the edges.”

He blurred the border between inside and out by retaining sections of exposed brickwork inside, and extending the light blue shade of the indoor cupboards to the external service area. A small patch of garden protrudes into the home, planted with basil and lettuce.

Beyond the broad doors, a narrow deck doubles as bench seating. “It means the edge becomes a social space, not just the line between inside and outside,” Maynard says.

“You’re always going to have some people who want to be inside and some who want to be outside, especially in a climate like Melbourne’s. Don’t force people to choose: instead of ‘either-or’, give them ‘both-and’.”

In de-fence of the backyard

WHEN Anna MacWilliams and Cameron MacDonald bought their Northcote home, they were already considering a renovation. Their real estate agent gave them clear advice: keep your backyard and you’ll do well.

The agent, Grant Leonard, a partner at Nelson Alexander in Northcote, says oversized renovated houses are a turn-off for many buyers.

“You can devalue the property if you don’t leave any backyard. They’re harder to sell,” he says. “Sometimes I see really large houses where they’ve taken up most of the land. Big houses suit families with kids, but generally, those families will want a backyard for the kids to play in.

“When people are renovating, the main thing is to get the balance right between the size of the backyard and the size of the house.”

In his recent book, The Life and Death of the Australian Backyard, Professor Tony Hall argues that the balance has been lost. He found that the proportion of an average suburban block covered by a new residence has increased significantly since the 1990s. “The cause is bigger houses, not smaller blocks,” he says.

Professor Hall, an urban researcher from Griffith University, believes planning regulations should require less block coverage and houses should be designed with more windows looking out onto gardens. He says vanishing backyards not only stop children from playing outdoors, but also reduce the biodiversity, natural drainage and cooling effects previously provided by trees and vegetation.

To Kirsten Larsen, from Melbourne University’s Victorian Eco-Innovation Lab, existing backyards present an invaluable resource for food production. Larsen says the city’s food security is threatened by a number of constraints, including water, oil, energy and agricultural land. Backyard vegie gardening must be part of the answer, and for that we should limit house sizes.

“It makes sense to produce some of our food in cities. We have a lot of the resources here that we need – water, nutrients, space and sunlight,” she says. “We need to increase urban density if we’re to stop encroaching on agricultural land, but we need to do it in a way that allows people to continue to grow their own fruit and vegetables.”

Indoor amenity need not suffer for the change. Whenever clients ask Andrew Maynard to design a modest building on a large block, the architect’s mind starts to race. For the addition to be small, the concept must be inventive.

“Doing something small on a big block is really exciting. When you have to put a number of functions in a confined space you’re forced to think differently,” he says.

“One of the reasons houses become big and horizontal is because people just line up functions next to each other. The moment you’re forced to overlap them is the moment something strange and beautiful will happen.”

Read this article at The Age online

  • « Previous Page
  • 1
  • …
  • 5
  • 6
  • 7
  • 8
  • 9
  • …
  • 15
  • Next Page »

Archive

    • ▼Print
      • ►Environment
      • ►Social justice
      • ►Community development
      • ►Culture
    • ►Blog
    • ►Audio
    • ►Projects

© Copyright 2017 Michael Green · All Rights Reserved